Nechville booth at SPBGMA.

James McKinney and I…

Being in-person at these shows gives us a chance to show off the versatility of our product line. Our booth always displays something that raises questions from the curious pickers looming about. This year we had a tempered fret scale neck mounted on an open back Moonshine EX. We got constant questions about the weird crooked frets on that banjo.

Another curiosity was another Excelsior Heli-mount pot with a nice traditional looking neck and a wild Cocobolo Turbo module installed. That monster was tuned a full fifth low to open C tuning and vibrated the entire room when turned on. Sometimes we get tire kickers who sneak a pick on a Nechville and escape before learning how to tailor the tone to their liking. It is just as common however to have someone return a year or two later, pick up a similar banjo and be completely blown away because they never suspected the tone they were looking for could be hidden in there.

We congratulate our Friend Barry Waldrep as the new banjo guru at Banjo.com for picking up Nechville’s Vintage line. Congratulations also to Capo’s Music’s Gill Braswell and Emory Carty for adopting the Saturn line. We are excited to see the Banjo Revolution gaining ground.
We were happy to have spent the evening with Sonny Smith, super picker from Pigeon Forge. We outfitted Sonny with his latest “Diamond Joe” model now with fancier outlined binding, visible Turquoise side dots and nickel hardware.
SPBGMA weekend also gives us a chance to yuck it up with our friendly banjo rivals. Since it is all in good fun, we like to go visit each other’s displays and play each other’s banjos. Huber had a neighboring suite to our room and was a handy place to go for borrowing screw drivers. Ha ha. A trip to Arthur Hatfield’s Room is almost like a trip to his living room. You always feel welcome and a great jam is always imminent. Arthur played lots of guitar for all the drooling banjo players. I was one of them. We drool when we play because his ‘joes sound so sweet!

The best part of any festival is the good times with friends. Of course it is awesome to see my old friends Ian Perry, Jack Hatfield, and Tim Carter. It is also a treat to get better acquainted with friends and associates like John Lawless and Sean Dysinger from Bluegrass Today. We love having the entire banjo spectrum covered between the Nechville booth, the fine selection from Paul and David Hopkins and the forest of banjos displayed by Mitch Meadors and Dan Garrett.

Congratulations also to Katie Keller from the Bluegrass Museum in Owensboro KY. She took on the challenge of learning the banjo with her new Moonshine and help from Todd Fink of the Giving Tree Band.
Well it is time to go home and pack up for Wintergrass where we will be participating with Al Price for the 22nd time. We will again be a sponsor at Merlefest and we are participating in Banjo camp North in May. In June I will be traveling and doing workshops with monster picker from Toulouse France, Fred Simon. We have a demo June 11th at Down Home Guitars in Frankfort Illinois, an informal presence during the first weekend of Bean Blossom, A demo/jam at Brewskis in St Charles MO on June 15th, the same at Tejon Street Music on June 16th before we spend the weekend at Telluride Bluegrass Fest.