Being a banjo player you are like me in certain respects, especially concerning the banjo. We can’t tolerate anything being out of sorts for the most enjoyable and confident playing. Even the look and feel of the instrument needs to be right for the experience to be its best. It’s my job to fulfill banjo dreams. Whether that means fixing those irritating problems through a professional tune-up or providing a whole new banjo, we can agree that it’s more fun to play with the right equipment.
When I dream, the banjo often recreates itself in my mind. Nothing about the instrument need be held as sacred in the fantasy world of recreational invention. But assuming we are bluegrass musicians, let’s start dreaming on the iconic image of “banjo” that for many of us may be a 1934 Gibson flathead five string. The old flat heads that have withstood the test of time, still sing with a timeless voice that defines the classic sound of the instrument.
In your dream let’s say you pick up this imaginary instrument a garage sale for $100 and you are thrilled. After playing it for a little while you notice that its weight begins to drag you down. Your dream instantly provides you with a lighter weight flat head of the same vintage with the similar character of sound. Your playing commences only to be interrupted by the thought that the neck was profoundly narrow for your style and hand shape. Poof! The neck widens into a shape that makes chokes and slides effortless.
The shape of the fingerboard raises up slightly down the center of the fingerboard almost to meet the strings. Your left hand is now more comfortable than ever, but you notice that the old bridge is saggy and certain notes don’t ring with the same pure sound. Poof! The bridge grows taller, especially in the middle and you find clarity of every note until you find the third string going sharp. Poof! The bridge reshapes to provide correct compensation and all is well again.
Suddenly one of the strings pops out of the bridge slot because the tailpiece is was apparently originally designed for a narrower 4 string banjo. Poof! The tailpiece widens so that each string has the ideal straight line break angle over the bridge, and your dream goes on until dark when the dew appears on the wildflowers.
In the moist air the fingerboard swells causing low action and string buzz, the one way truss rod suddenly becomes a dual action rod solving yet one more problem. Your dream calls you to fly to a foreign land to play. Poof! With one twist of a tool, the neck pops off and you carry your banjo through customs nestled safely in your suitcase. Upon reassembly you find that the neck has a range of adjustment adaptable to any height bridge or string height and you quickly find the perfect neck angle for buttery action, and the party begins.
Your dream is interrupted by a smart phone alarm. It is Al Price with some great news from Nechville. An all-original 1934 TB-11 one- piece flange pot was recently decked out with a matching new Nechville neck. This is a Pre-war flathead without all the weight of a full tone ring. The brass top on the 11’s old 3 ply maple rim is about 3 pounds lighter than other banjos in the Mastertone family. The wide radiused frets and compensated bridge remind you of your dream. You realize that your dream has come true when you hear about the flux-mounted neck and comfort bevel armrest provided on this dreamy hybrid of a banjo.
Please note that the same banjo with lesser necks have been sold for 3 to five times the price with the simple modification of adding a pre-war style tone ring. Nechville builds authentic pre-war spec tone rings and professionally installs them in our custom shop. Personally, I think it is better to keep this pot original but we have the know-how and the best tone rings to take it to that next level if you want.
If this banjo or one that pops into YOUR dreams tickles your fancy, please contact me or Al.
This story brought to you by the Banjo Revolution.
Contact [email protected]
or Call 612-275-6602
See and hear and learn more at www.nechville.com